Tuesday, September 29, 2015

LEARNING TO SEE - again. PART 4

"I had the notion of what I called a democratic way of looking around, that nothing was more or less important."
William Eggleston




Nothing differs from yesterday. Be it another day makes little difference. The same sunrise, the same sky, the same air, the same thoughts. Maybe one more piece of knowledge collected incidentally and stored for later. Tomorrow, maybe. Tomorrow will be different. Tomorrow will always be different.


Meanwhile, I stay with the moment, each one filled with small pieces of yesterday and debris  of today. Dust from the fires, washing from the clothesline, sand from the beach, photographs.








When I look back at yesterday there are few landmarks. Ordinary things that caught my eye. The camera is always within reach. Photographing at arms length to the world, shielding myself from contact or absorbing me into the moment. An observer and participant at the same time.




On reflection, everything seems important. The photograph does that. It isolates not just the moment but the thing, the place, the action, the event, the geography, the thought.


A lifetime of shifting sands, moved by the winds from the east and south; constant reminders that there is somewhere else. The flora and fauna struggles wilfully. The struggle is essential. Without the struggle, all things remain the same. Change requires something to fight against, move with or wait for, Preparedness in the light of the events of yesterday.








The paint peels, the wood decays, the flower wilts, a war rages elsewhere, a lamb is born in a bleak paddock and another dies at the hands of a butcher, a rocket lands on a comet and a child takes its first steps.


How can I have the camera ready for all this? How can I be ready? Why is it essential that we record all this? Does the photograph remind us of what we must be prepared for?

Or is it just that we like to see how the moment, thing, place looks on a photograph?

"Cogito ergo sum (I think therefore I am)"
René Descartes

Ideo ego COMMEDITOR eam (this is why I photograph it)

Today is another day. The camera is at arms length. All things are as important or less than only by our own relevance. The photograph will equalise all differences.Today I put my mind not to understanding but doing.





"Whether a photo or music or anything else I might do -  it's ultimately all an abstraction of my peculiar experience".


William Eggleston.



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